Jul / Aug 2020

In around 1480, a young Roman tumbled through an opening in the side of the city’s Oppian Hill, and emerged, wide-eyed, amid the remains of Nero’s 1st-century AD Domus Aurea.

Before long, artists from all over Italy were being lowered on ropes into the palace’s dark subterranean cavities holding flaming torches to view the ruins. What they saw amazed them: the extraordinary vivid colours of paintings made 1500 years earlier, preserved from the ravages of time and daylight. The astonished artists realised that the painted world of their ancient forebears was wholly different to the strict order of their architecture and the restrained elegance of their sculpture, stripped of its colour through time. Here, instead, they found a playful world of lively human scenes, fantastical creatures and fanciful designs taken from nature. Dalu Jones describes the discovery’s electrifying effect on painters of the Renaissance, and how it led to the invention of the “grotesque”.

In 17th century England, another form of fanciful depiction arrived with the restoration of the monarchy. Charles II is portrayed in 1674 in the guise of a Roman emperor, conqueror of sea and land – with all the attributes and symbols associated with supreme power. There was no doubt here about who was back in charge. In such ways, the Baroque style in Britain came to be used as a visual language – one that redefined order and authority declaiming that the new world order was here to stay.

The ancient cities of that mysterious land Illyria – mythical setting for Shakespeare’s Twelfth Night – are mostly to be found in modern-day Albania. But despite a fascinating history that stretches back through prehistory, classical Greek and Roman times, they still remain littleknown. Oliver Gilkes guides us through the ancient treasures of one of Europe’s smallest and least-understood countries.

The mythical origins of another spectacular ancient city are explored in our feature on page 40. Was the city really founded there because the Oracle of Delphi told a prince of Athens that he should settle where he found a leaping fish and a running boar? Or because fleeing Amazons built a shrine to Artemis in the place believed to be her birthplace? David Stuttard narrates the rich myth-history of Ephesus.

Finally, no such conjecture is needed about life in Mesopotamia 4,000 years ago. The first major cities were born there, and with those structures came bureaucracy - a necessity for ordering what became complex city-states – and, of course, writing, for recording that bureaucracy. Neil Faulkner surveys an exhibition that displays the extraordinary cultural and scientific achievements of the region. You can read an extract of this article here.

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Mar / Apr 2020

The riches of Rome referred to on our cover encompass not only the extraordinary bounty of art and architecture that the Roman Empire produced, but also the fabulous wealth accumulated in later centuries by distinguished families of the city.

Jan / Feb 2020

Looking for LeonardoA glimpse of the great Renaissance man and his life gleaned from the writings of his adoring…

May / Jun 2020

In the latest issue of Minerva, we travel to Mexico and its first civilisation: that built by the Olmecs, who created monumental works of art that are as striking today as they must have appeared 3,000 years ago.